Showing posts with label space. Show all posts
Showing posts with label space. Show all posts

Friday, 26 July 2019

You Will Go to the Moon By Mae & Ira Freeman

Picked this up a few years ago. You Will Go to the Moon was part of the "I Can Read it All By Myself " Originally published in 1959 this edition is from 1971.
Written by Mae and Ira Freeman and illustrated by Lee Ames.
For a really indepth and very informative look at this book please go to The Dreams of Space Blog

Tuesday, 23 July 2019

Let’s Find Out About The Moon
by Martha and Charles Shapp
(Grolier International Inc, 1965)



As a belated contribution to last weekend’s big anniversary, here are Martha and Charles Shapp and Yukio Tashiro’s impressions of a prospective moon landing, as rendered four years before it actually happened. (I particularly love the cubist Lunar Lander and the big water tank in scan # 7.)



I found a stash of these ‘Let’s Find Out About..’ books in a bar / bookshop in Koenji, Tokyo this year. They were all pretty wonderful – and have the BEST old book smell - but sadly for space reasons I could only take a few of them home with me. The Moon, of course, made the cut.

I’m sorry the scans are a bit wonky – size, shape and hardback binding made this a difficult one to cram onto the scanner without damaging the book, but I think they just about came out ok.

Tuesday, 5 February 2019

Milton Cohen’s Space Theatre.



Stumbling across these images on a rare visit to Tumblr today led me down a nice internet rabbit hole.

For (admittedly limited) context, please consult the following:

ONCE Group (Wiki).

“Milton Cohen’s Space Theater was another catalyst for ONCE. Cohen, on the art faculty and best known as a painter, was becoming increasingly interested in creating art using light. In 1957, he rented studio space in Ann Arbor and began constructing his Space Theater: a twenty-sided hemisphere fifty feet in diameter that he would equip to manipulate light in an interactive setting.

Cohen’s goals were remarkably similar to those of the ONCE composers: to shrink distance between artist and spectator, spectator and spectacle; to suggest a museum of creative presence, of living performance, of spontaneous action; and to score music, light, poetry, dance, with a single notational system, thus pressing a unitary vision. 

To create an interdisciplinary performance, Milton Cohen collaborated with two future ONCE composers, Robert Ashley and Gordon Mumma. Using their own electronic equipment—amplifiers, oscillators, filters, and four-track tape recorders—Ashley and Mumma formed the Cooperative Studio for Electronic Music, composing electroacoustic music for over one hundred Space Theater performances.” 

 - The ONCE Festivals of the 1960s by Emily Weingarten, ‘Michigan Muse’, Spring 2010

The Music of ONCE: Perpetual Innovation by Emily Weingarten (2008)
(Google books preview – check pages 3-4 in particular)

I’m unable to ascertain which publication the images above actually appeared in.

Sunday, 2 September 2018

Outer Space Station


Instructions for a DIY playset, courtesy the Woman's Day Book of Best Loved Toys and Dolls, 1982.

Note that the translucent Micronauts fit in nicely, style wise, whereas the Star Wars figures look a little out of place.  This is Logan's Run / Buck Rogers territory.  Disco, not rock.







Cool, but not as cool as Dalek City:


Wednesday, 28 June 2017

Colonizing the Moon, 1972.










Lead article in the Britannica Yearbook of Science and the Future, 1972.  Artwork by Bill Chambers.

Sunday, 25 June 2017

The Highdown Rocket Site IOW

Friday, 21 August 2015



I have for a long time been interested in the UK Space and Rocket program of the 1950s & 60s. The success of this Rocket program was largely down to the people who worked on it. Despite constant Government interference and a considerable lack of funds, the Rocket people managed to produce 2 very successful rockets, The Black Knight and Black Arrow.
To assemble and test each rocket before shipment to the Australian launch site at Woomera, a local test site was required. The Needles Headland offered a secure site with suitable underground accomodation. In 1955 the Highdown site was leased from the Ministry of War.
Under the instruction of architect John A. Strubbe, construction began in April 1956. The Needles Headland was transformed looking now like something out of Quatermass or James Bond. A complex of specialised buildings was constructed over the New Battery and underground control control and instrumentation rooms were converted from the old magazines. There 2,200 square feet of control rooms and underground stores, 4,260 square feet of laboratories and offices and 3.080 square feet of workshops and smaller machine shops. The dining rooms catered for 80 people at a time. In all there was space enough for 240 people, a number reached in the early 1960's.
In the early stages serious consideration was given to accommodating Blue Streak at the site. This would have meant digging silos deep into the hillside - impractical but not impossible.
The 10 metre long Black Knight rockets were assembled in the workshops. Then they were towed down the newly built road along the cliff top above Scratchell's Bay to one of the two 60 foot high test gantries. The rockets were erected inside the steel and aluminium towers by men dressed in protective suits with glass fronted helmets operating one and a half ton mobile cranes.
During a test firing all activities followed a strict time sequence, with the operation of the rocket controlled automatically by a Sequencer unit. At any point the process could be aborted by the press of a button from several monitoring positions, most of which were underground. In addition to manual observations taken from the secure Blockhouse, an array of camera, tape recorders and specialised devices automatically logged data from several hundred instrumentation sensors placed within the engine and other rocket systems.
With the missile successfully tested, a team of engineers accompanied it to the launch site. In all, 23 single and two-stage Black Knights were launched, between September 1958 and November 1965.
The success of Black Knight suggested the need for Britain to develop a capacity to launch satellites, and in 1965 the Highdown team started work on Black Arrow, an 18 ton, 13 metre, three stage rocket designed to put a 300 kilogram satellite into a circular near-Earth orbit.
Five Black Arrows were built and four launched into space, the first in 1968. The project reached its zenith on the 28th October 1971 with the launch of the first, and only, all-British satellite put into space by a British rocket. The experimental satellite, designated Prospero in space, achieved a near perfect orbit and carried out short term data collection on micrometeorites and space erosion.
The concrete bones of the Highdown rocket site are one of the few reminders of the successful, if short-lived, British space programme of the latter half of the 20th Century. The last Black Arrow now resides at the British National Science Museum. Another reminder is Prospero, which will continue to orbit the Earth until at least the year 2200.
 
In 2012 I finally managed to pay the Highdown Rocket Site a visit. I have to admit I was very excited about finally visiting this place, and must say I was not disappointed. The former control rooms of the site now house the exhibition space, which is small, but very informative with lots of old black and white photos of men dressed in lab coats sitting at banks of equipment. It all looks and feels very much like something out of an old Quatermass film. At times you can almost feel the excitement and enthusiasm that these scientists must have had, knowing that they were working (on a very tight budget) on what could be the UK's own independent space program. Alas it was not to be and after one successful Satellite launch (Prospero) the UK Rocket/Space program was shut down, and the Highdown Test Site was dismantled and all but forgotten. Then in 2003 volunteers and the National Trust started to clear the site. It was finally opened to the public in 2004, but is definitely an on going process of restoration. Its a bit of a drive to the Highdown site, but its only £4 to park for the day at the Needles car park. Then its a bimble along the cliff path to the Needles Battery. The only mistake I made that day was to go into the Needles park, which is pretty dire and grim (over priced fast food and very dodgy coffee)
Inside observation block house
The full story of Highdown and the Rocket Men can be watched on YouTube